Marriage
Living Room
Living room - This is the main location of the marriage sequence as all but one of the shots is used in this location. This is the living room of Chris Rushton, and we chose this because it has a sofa next to a window, which is exactly what we need for our shoot. There is a very large window, which is good for gazing out of, with a sofa long enough for a very unpleasant and upsetting argument.
Drive
Drive – this is the location for when the woman walks out of the house after the supposed marriage break up. It is linked to the house for continuity reasons.
Religion
Church
Church – This is the main location for the religious scene. It is a small and dainty church that shows everything that we required from the church and seen, as it was empty at the time, it worked well for us.
Graveyard
Graveyard – This is the second location for our religious narrative. It is a stereotypical graveyard that has a very large number of graves, which is good for our piece because it shows the disparity of the events.
Social
Bedroom
Bedroom – This is the location where we start to see the disabled boy’s problems as he is trying to pull his legs up onto the bed, but failing. It is a very neutral based coloured room to show the vulnerability of the boy.
Car Park/Street
Car Park/Street – This is the location where we see both the group if teenagers and also the disabled boy. The group of teenagers are stood there having a jolly good time, whilst the boy is sitting there very depressed. It shows the connection and stereotypes of youth, but also the differentiation as they are discriminating against disability.
Staircase
Staircase – This is the location where the disabled boy wheels his wheelchair up to a set of stairs only to realise that he can’t go up them.
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